Thursday, April 4, 2013

School of Urban Practices


Drawing on the evolving body of trans-disciplinary urban knowledge, urban research, and urban activism, School of Urban Practices will conduct advanced educational work that redefines design, architecture and urbanism as a field of transformative activity. Selected students will seek the ways how to improve everyday environment of the devastated urban neighborhoods whether through public policy, mediation, urban planning and architecture design, or any other forms of design that involves citizens from the very beginning of the project.  By working continually on the site for the public interest and by exchanging aspirations with local community entrepreneurs, School of Urban Practices will develop innovative strategies and projects based on critical engagement with contemporary issues of urban commons.

Project C5


Project C5 by the School of Urban Practices for Urban Incubator transforms ruined basement and courtyard of the building at the street Crnogorska 5 into a common space for the residents. Although designing such a small task may seem an easy work, it is becoming complex by the many different interests that need to be balanced.  Original participatory design method that is applied redirects creative process into negotiation, not only between students and residents but among the students themselves, among the residents themselves and then between architects and the residents on one side, and official institutions on the other.  Participation is strengthening relationship between the residents and ensuring awareness to the mutual dependence and solidarity that is necessary to building the commons and to maintaining its future. Agreements about the project will be made through combination of parallel and successive dialogs, articulated in a way that allows participants to question each other and, in the next step, to questions the decisions of the previous ones. Architects that are engaged do not impose their visions, and instead they create a platform for idea exchange  in order to carry the design process toward the common agreement.  The very existence of the possibility for agreement gives a sufficient reason for the common space to thrive.

Participatory design method applied in this designing process has seven steps:

The first - students interview residents using the special questionnaire in order to create group profile. The questionnaire is not reduced to just answers to questions about the contents of the basement and courtyard, but interviewers sought to detect what people couldn't or didn't know how to articulate – such as unfulfilled wishes, motivations, triggers and symbolic capital. The creative interpretation of the answers is just as important as the answers themselves.

The second – group profile that is created on the basis of the questioner isn't either a sum of the attributes of the interviewees, or their general opinion, or their lowest common denominator, but a unique, complex personality that has the most vital and usually the most contradictory attributes which the interviewers deem the most important for defining the elements of the project.

The third – mental mapping of the immediate environment goes in parallel to the creation of the group profile.  The reason why it is important to do these two things simultaneously is that the issue of mapping and what is mapped mainly has to do with the places that are relevant to the residents. Following the aspiration of the residents, students are notifying their own sensations, memories and thoughts.

The fourth – program scenario is formed by pushing the group profile thru the imaginary territory of the individual mental maps in order to identify its reactions. These reactions compiled into stories that are loaded with  activities, meanings and senses are the basic elements of the program of the becoming space. Scenarios  identify perceptions, thoughts, activities and anything else that an environment can cause to the personality which resembles the group profile.  Basic elements of the program are appearing by extracting the keywords from the scenario and by formulating their relationships within discourses such as social exchange, flexibility, economic viability and environmental sustainability.

The fifth – series of individual 3D cardboard models will be made in order to shape the basic elements of the program, but not to establish either their final size or form, or their final position. Such makeshift models are used only as a medium to seek agreement about the project among the students and then between the students and the residents. The group formed by students and residents will jointly taking part in a workshop, rethinking, suggesting, adding and rejecting, enlarging and shrinking, moving and fixing the elements of the model.

The sixth – common project proposal that compromises the best parts from transformed 3D cardboard models will be presented to the residents in a form of computer renderings and drawings during a series of public discussion where everyone can express the opinion about what is good  in the project and what is not. In order to accommodate different opinions project proposal will be transformed until residents agree about the structure of their new common space. Results from the previous projects show that the residents are keen to agree on a simple and sustainable draft proposal.

The seventh - final project proposal will be presented to the public, the media and the official institutions as an outcome of an agreement between the residents and the architects engaged in the process of improving common environment.  Achieving the status of a role model in Savamala will subsidize project realization even before the executive drawings are submitted to the officials in order to gain the building permission.